การจัดทำหนังสือเล่มนี้ เพื่อนำเสนอเส้นทางท่องเที่ยว แนวใหม่ของจังหวัดนครนายก และฉะเชิงเทรา สัมผัสกับธรรมชาติ น้ำตก ซีวอล์กแห่งแรก คาเฟ่เปิดใหม่ ชม ชอป สินค้าภูมิปัญญาท้องถิ่น คุณค่าทรัพย์สินทางปัญญาชุมชน ซึ่งได้จัดทำในรูปแบบวีดีโอ โดยเพจชื่อดัง “ท่องเที่่ยวสะดุุดตา” และเผยแพร่ผ่านช่องทางออนไลน์ ไปสู่สาธารณชนอย่างกว้างขวาง

This textbook covers practical contract drafting and negotiation skills alongside substantive legal doctrine relating to intellectual property transactions and licensing. It is intended primarily for classroom use, but can also serve as a reference work for law students, legal academics, practicing lawyers, and intellectual property professionals.

The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age.

Intellectual property law has been harmonized by EU law to a considerable extent. At the same time intellectual property rights have converged. The academic discussion has not kept pace with this development. European intellectual property law is often seen through the spectacles of national law; pan-European discussions about issues of Community law seem to be the exception rather than the rule. The contributors to this volume investigate if and to what extent European rules and principles applicable to all intellectual property rights already exist or whether they can be found on the basis of the acquis communautaire and comparative law. In particular, they discuss the merits and the methodology of common principles before turning to several areas of substantive intellectual property law such as grounds of protection, secondary liability and exceptions, to enforcement and finally to the relationship between intellectual property and neighbouring areas of EU law.